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The casting was seen as controversial by many, as Pfeiffer was considered far too beautiful to play an "ordinary" waitress; Pfeiffer was once again nominated for a Golden Globe Award for Best Actress – Motion Picture Drama for her performance.

During this period, she turned down the role of Clarice Starling in The Silence of the Lambs (1991), In 1990, Michelle formed her own boutique film production company called Via Rosa Productions, which ran for ten years.

Following Scarface, she played Diana in John Landis' comedy Into the Night (1985), opposite Jeff Goldblum, Isabeau d'Anjou in Richard Donner's fantasy film Ladyhawke (1985), opposite Rutger Hauer and Matthew Broderick, Faith Healy in Alan Alda's Sweet Liberty (1986), opposite Michael Caine, and Brenda Landers in a segment of the 1950s sci-fi parody Amazon Women on the Moon (1987), all of which, despite achieving only modest commercial success, helped to establish her as an actress.

She finally scored a major box-office hit as Sukie Ridgemont in the 1987 adaptation of John Updike's novel The Witches of Eastwick, alongside Jack Nicholson, Cher, and Susan Sarandon.

Pfeiffer then accepted the role of Susie Diamond, a hard-edged former call girl turned lounge singer, in The Fabulous Baker Boys (1989), which co-starred Jeff Bridges and Beau Bridges as the eponymous Baker Boys.

She underwent intensive voice training for the role for four months, and performed all of her character's vocals.

She had small roles in a few theatrical films, including Falling in Love Again (1980) with Susannah York, The Hollywood Knights (1980) opposite Tony Danza, and Charlie Chan and the Curse of the Dragon Queen (1981), none of which met with much critical or box office success.

Pfeiffer later said of her early screen work: "I needed to learn how to act...

The first film the duo produced was the nostalgic independent drama Love Field (1992).Director Brian De Palma, having seen Grease 2, refused to audition Pfeiffer for Scarface (1983), but relented at the insistence of Martin Bregman, the film's producer.She was cast as cocaine-addicted trophy wife Elvira Hancock.Pfeiffer's portrayal of Susie, however, drew rave reviews from critics.Janet Maslin of The New York Times wrote of the performance: "[...]she proves to be electrifyingly right. Pfeiffer's furiously hard-boiled, devastatingly gorgeous Susie into the Bakers' world affects the film the way a match might affect a fuse," Fellow critic Roger Ebert compared her to Rita Hayworth in Gilda and to Marilyn Monroe in Some Like It Hot, adding that the film was "one of the movies they will use as a document, years from now, when they begin to trace the steps by which Pfeiffer became a great star." Variety singled out her performance of 'Makin' Whoopee', writing that Pfeiffer "hits the spot in the film's certain-to-be-remembered highlight... She's dynamite." During the 1989-1990 awards season, Pfeiffer dominated the Best-actress category at every major awards ceremony, winning awards at the Golden Globes, the National Board of Review, the National Society of Film Critics, the New York Film Critics Circle, the Los Angeles Film Critics Association Award for Best Actress and the Chicago Film Critics Association.

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